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DTSTART;TZID=Europe/Berlin:20240118T180000
DTEND;TZID=Europe/Berlin:20240118T200000
DTSTAMP:20261010T113930
CREATED:20231104T123923Z
LAST-MODIFIED:20231104T124826Z
UID:32454-1705600800-1705608000@www.aki-goettingen.de
SUMMARY:剧本朗读 Wintersemester 2023/24：《资本·论》
DESCRIPTION:剧情：资本是天使？资本是魔鬼？资本能让我们一步登天，也能让我们落入万丈深渊。人人心中都有一个资本的模样，你心中的资本模样如何？\n编剧：喻荣军\n时间：2024年1月18日周四，18:00 时\n地点：LSG\, Platz d. Göttinger Sieben 3a\, 37073 Göttingen\n语言：中文\n报名：扫描海报二维码或发送邮件至yingming.theater@gmail.com\n海报：敖玉敏
URL:https://www.aki-goettingen.de/en/activity/dramareadingwise2023-3/
CATEGORIES:Kultur-Veranstaltungen
ATTACH;FMTTYPE=image/jpeg:https://www.aki-goettingen.de/wp-content/uploads/2023/11/资本·论.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20231207T180000
DTEND;TZID=Europe/Berlin:20231207T200000
DTSTAMP:20261010T113930
CREATED:20231104T122422Z
LAST-MODIFIED:20231104T122719Z
UID:32432-1701972000-1701979200@www.aki-goettingen.de
SUMMARY:剧本朗读 Wintersemester 2023：《阿基琉斯的花冠》
DESCRIPTION:剧情简介：诗人蓝蓝对古希腊荷马史诗《伊利亚特》的主人公——阿基琉斯进行重新演绎，以先锋与反叛的方式刻画出阿基琉斯的女战士形象。\n编剧：蓝蓝\n时间：2023年12月7日四，18:00 时\n地点：LSG\, Platz d. Göttinger Sieben 3a\, 37073 Göttingen\n报名：扫描海报二维码或发送邮件至yingming.theater@gmail.com\n海报：敖玉敏
URL:https://www.aki-goettingen.de/en/activity/dramareadingwise2023-2/
LOCATION:LSG\, Platz der Göttinger Sieben 3a\, Göttingen\, 37073
CATEGORIES:Kultur-Veranstaltungen
ATTACH;FMTTYPE=image/jpeg:https://www.aki-goettingen.de/wp-content/uploads/2023/11/阿基琉斯的花冠.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20231122
DTEND;VALUE=DATE:20231123
DTSTAMP:20261010T113930
CREATED:20231106T215353Z
LAST-MODIFIED:20231114T212430Z
UID:32480-1700611200-1700697599@www.aki-goettingen.de
SUMMARY:【Postponed】Theater Workshop (in English) at WERKRAUM Göttingen
DESCRIPTION:The theater workshop scheduled for Nov. 22\, 16:00 PM is currently postponed. We will announce an alternative date shortly.\nIn this acting training workshop focussing on the development and expansion of physical and vocal presence on stage\, the facilitator Franziska will employ improvisation games\, character development\, movement\, and physical theater exercises. It is about spatial perception and the relationship to your stage partner. Finally we will try to summarise these aspects in a small scene. The primary goal is to make this theater workshop an enjoyable way to promote teamwork\, ignite creativity\, and enhance performance skills. \nFranziska studied acting at the Bern University of Music and Theatre (Switzerland). She has worked as an actress in many theatres in German-speaking countries. Since 2009 she is part of the core team of boat people project\, an independent theatre based in Göttingen\, which focuses mainly on migration\, flight and postcolonial issues. She offers workshops\, acting trainings\, leads socio-cultural projects and directs theatre productions. \nThis theater workshop is organized by Ying Ming Theater and scheduled to be held at WERKRAUM Göttingen. Students can attend for free by presenting their Kulturtickets. Participants are advised to wear modest\, comfortable clothing and leisure shoes. Please arrive 10 minutes prior to the start time\, which is at 16:00 PM. The session will last for approximately 2 hours\, including a short break.
URL:https://www.aki-goettingen.de/en/activity/theater-workshop-in-english-at-werkraum-gottingen/
LOCATION:WERKRAUM Göttingen\, Stresemannstraße 24C\, Göttingen\, 37079
CATEGORIES:Kultur-Veranstaltungen
ATTACH;FMTTYPE=image/jpeg:https://www.aki-goettingen.de/wp-content/uploads/2023/11/Workshop.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20231116T130000
DTEND;TZID=Europe/Berlin:20231116T150000
DTSTAMP:20261010T113930
CREATED:20231106T210551Z
LAST-MODIFIED:20231106T211051Z
UID:32467-1700139600-1700146800@www.aki-goettingen.de
SUMMARY:"Contemporary Theater Art" Seminar Series No. 20
DESCRIPTION:The Force of Mortality and Urban Villages Futurism of Butterfly Island\n蝴蝶岛死亡力与城中村未来主义\nSpeaker: Sun Xiaoxing\nVenue: Zoom 686 4710 3798\nTime: Nov. 16th\, 2023. 13: 00 CET / 20: 00 Beijing Time\nLanguage: Chinese with English translation \nAbstract:\nThe dramaturgy Sun Xiaoxing will base his analysis of the tragic nature and multiple futures presented in “Butterfly Island” on his article “The Force of Mortality and Urban Villages Futurism of The Butterfly Island”. He will dissect the metaphor of the ephemerality of the butterfly’s brief life and youth\, as well as the coexisting splendor and despair of the young lives on the island\, and their circumstance of being both detached from and connected to the world. Moreover\, by analyzing the significance implied in the “relocation” from the premiere in Hong Kong to the performance in urban villages in Shenzhen\, he will explore the shift from a Sinofuturism tinged with Techno-Orientalism or Techno-Nationalism to a pluralistic Urban Villages Futurism.\n戏剧构作者孙晓星将以他的文章《蝴蝶岛死亡力与城中村未来主义》为基础，解析《蝴蝶岛》所呈现的悲剧性和对未来的多重想象，蝴蝶短暂的一生与青春易逝的隐喻，以及岛上年轻生命绚烂与绝望并存的状态，和这种与世界既脱节又联系的处境。此外，通过分析由香港首演至深圳城中村“迁移”所蕴含的意义，探讨从一个带有技术东方主义或技术民族主义色彩的中华未来主义，向复数未来的城中村未来主义的转变。 \nShort Bio:\nSun Xiaoxing\, with a Bachelor’s and Master’s degree from the Central Academy of Drama and a Ph.D. candidate at Shanghai Theatre Academy\, is currently an Associate Professor in the Department of Drama\, Film and Television at Tianjin Conservatory of Music. As a playwright\, director\, and artist\, he has developed a series of works under the concept of “Cyber Theatre”\, and was invited to Festival/Tokyo\, Kyoto Experiment\, OzAsia Festival in Adelaide\, New Art Fest in Lisbon\, CPH Stage\, Low Fat Art Fes in Bangkok\, Hong Kong Arts Festival\, Shanghai Biennale\, Wuzhen Theatre Festival\, Beijing Fringe Festival\, Aranya Theatre Festival etc. As a dramaturgy\, he has collaborated with New Youth Group\, Ergao Dance Production Group etc. As a curator\, he curated Sphinx Metaverse Theatre Festival “4399. Paradise: To the Dying Web 2.0 Era”\, and Contemporary Theatre Biennale 2018 Performance Unit “Sceno Place” Public Space Performance Series “Glitch and Error” etc.\n孙晓星，中央戏剧学院学士、硕士，上海戏剧学院博士研究生，现为天津音乐学院戏剧影视系副教授。作为编剧、导演和艺术家，他以“赛博剧场”的概念开发了一系列作品，曾受邀参加东京国际剧场艺术节、京都国际舞台艺术祭、阿德莱德澳亚艺术节、里斯本新艺术节、曼谷低脂艺术节、香港艺术节、上海双年展、乌镇戏剧节、北京国际青年戏剧节、阿那亚戏剧节等；作为戏剧构作，他曾与新青年剧团、二高表演等合作；作为策展人，他曾策划斯芬克斯元宇宙戏剧节“4399.乐园——致即将逝去的Web2.0时代”、2018当代戏剧双年展/深圳福田展演单元“情场”公共空间表演系列《乱码过失》等。
URL:https://www.aki-goettingen.de/en/activity/contemporary-theater-art-seminar-series-no-20/
LOCATION:Online Portal Zoom
CATEGORIES:Kultur-Veranstaltungen
ATTACH;FMTTYPE=image/png:https://www.aki-goettingen.de/wp-content/uploads/2023/11/2023-2024-Poster-Sun-Ch.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20231015T093000
DTEND;TZID=Europe/Berlin:20231015T170000
DTSTAMP:20261010T113930
CREATED:20231005T093036Z
LAST-MODIFIED:20231005T095448Z
UID:32328-1697362200-1697389200@www.aki-goettingen.de
SUMMARY:Workshop: Chinesische Gesundheitskultur – Qi Gong\, Tai Chi und Stockform
DESCRIPTION:工作坊 中国养生文化——气功、太极、棍术\n哥廷根孔子学院与爱太极学校合作举办\nveranstaltet von dem AKI Göttingen und i-Taichi Schule \n内容 Inhalt:\n本活动将深入浅出介绍气功与太极理论基础，随后我们一起学习和操练气功、太极以及棍术的初级套路。\nIn diesem Workshop bekommen Sie einen Einblick über Qi Gong bzw. Tai Chi in Theorie und Praxis. Gemeinsam lernen und üben wir einige Qi Gong-\, Tai Chi- und Stockformen. \n活动对象 Zielgruppe:\n本活动面向所有中国养生文化感兴趣并想进一步了解和体验气功、太极的人士。所选套路演练既适合于初学者，也面向中级学员。\nDer Workshop richtet sich an alle\, die Interesse an der chinesischen Gesundheitskultur haben und mehr über Qi Gong und Tai Chi erfahren möchten. Die Übungen sind so ausgewählt\, dass Anfänger und leicht Fortgeschrittene teilnehmen können. \n主讲人 Dozent：\n毛磊，德国气功太极拳总会认证教练，世界太极拳联谊会常务理事，温县太极拳研究院研究员\nMeister Lei MAO\, DDQT zertifizierter Taichi Trainer\, Mitglied des geschäftsführenden Vorstands der World Taichi Quan Assoziation und Gastprofessor an der Wenxian Taichi Fachhochschule. \n语言 Sprache：\n德语 Deutsch \n时间和地点 Zeit und Ort:\nHannah-Vogt-Straße 1\, 37085 Göttingen\n15.10.2023\, Sonntag: 09:30- 16:45 Uhr \nAufgrund der begrenzten Teilnehmerzahl bitten wir um rechtzeitige Anmeldung bis spätestens 11. Oktober 2023. Allen Teilnehmern der Veranstaltung am 15. Oktober wird ein kostenloses Mittagessen angeboten.\n因名额有限\, 敬请尽快报名。报名截止日期：2023年10月11日。我们为10月15日工作坊提供免费午餐。 \n费用 Gebühr: 120 € \n报名 Anmeldung unter https://forms.gle/6E4tXMf9QjEF4dDp9 \n咨询 Beratung:\nTelefon:0551 271 3513 7\nE-Mail: info@i-taichi.de\nHomepage: www.i-taichi.de \n活动日程 Programm
URL:https://www.aki-goettingen.de/en/activity/taichiworkshop2023/
LOCATION:i-Taichi Schule Göttingen\, Hannah-Vogt-Straße 1\, Göttingen\, 37085
CATEGORIES:Kultur-Veranstaltungen
ATTACH;FMTTYPE=image/jpeg:https://www.aki-goettingen.de/wp-content/uploads/2023/10/Meister-MAO-Lei-Taijiquan-scaled-e1696436594173.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20230603T130000
DTEND;TZID=Europe/Berlin:20230603T150000
DTSTAMP:20261010T113930
CREATED:20230522T161250Z
LAST-MODIFIED:20230522T164447Z
UID:32246-1685797200-1685804400@www.aki-goettingen.de
SUMMARY:Body & Space Workshop
DESCRIPTION:Introduction: This workshop/experiment on body movement draws inspiration from the “Folding City” research\, which delves into the themes of “spatial inequality\,” “hostile design or architecture in urban settings\,” and “the transformation\, squeezing\, and expansion of space.” Our objective is to explore the spatial dimensions of our bodies through somatic approaches\, such as walking in space\, experiencing falls and recoveries\, and discovering/defining the boundaries of spaces. As we delve deeper into our exploration\, we will engage in theater games like “random speech\,” “Archiving the space\,” and “video painting” to further investigate the research questions. \n工作坊介绍：“身体与空间”工作坊受研究性剧场项目”城市折叠”的启发，探讨”空间的不平等”、”城市中的排斥性设计和建筑”以及”空间的转换、挤压与延展”。工作坊将带领大家通过身体感知的方式探索身体的空间维度，例如，在空间中行走，体验跌倒与恢复站立，发现和定义空间的边界。大家还将参与诸如”随机演讲”、”空间档案”和”视频绘画”等戏剧游戏，以深入讨论研究主题。 \n					\n				\n			\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n			\n			\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				Moderator: Yinfu Gao (ATW Gießen) \nVenue: Göttingen TBA \nTime: 1 PM-3 PM\, June 3\, Saturday \nTime period : 1h45min (15 min Pause) \nFee: Free of Change \nRegister: yingming.theater@gmail.com \n*Please wear comfortable clothes and socks. Papers and pens are needed. \n			\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				主持：高音符（吉森大学应用戏剧学院） \n地点：哥廷根大学，待定 \n时间：6月3日，星期六，下午1点至3点 \n时长：1小时45分钟（15分钟休息） \n费用：免费 \n注册：yingming.theater@gmail.com \n*请穿着舒适的衣服和袜子。需要带纸和笔。
URL:https://www.aki-goettingen.de/en/activity/body-space-workshop/
CATEGORIES:Kultur-Veranstaltungen
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20230323T200000
DTEND;TZID=Europe/Berlin:20230323T213000
DTSTAMP:20261010T113930
CREATED:20230216T120640Z
LAST-MODIFIED:20230216T120640Z
UID:32014-1679601600-1679607000@www.aki-goettingen.de
SUMMARY:Online talk on Kunqu Operan "The Peony Pavilion"
DESCRIPTION:个人简介：肖向平，中国戏剧家协会会员，国家二级演员，上海戏剧学院戏曲表演系毕业，同年进入中国昆曲博物馆工作，后为北方昆曲剧院演员。京昆兼修，师从岳美缇、蔡正仁、石小梅和马玉森老师。第四届“江苏省戏剧奖·红梅奖”铜奖，第四届中国昆曲艺术节优秀青年演员表演奖（文化部）。 \n讲座提纲： \n开场（昆曲介绍） \n昆曲是中国戏曲百花园中最为历史悠久和腔韵独特的剧种之一，其表演艺术集中了中国戏曲的精髓，被誉为“百戏之祖”，并于2001年5月获联合国教科文组织授予世界首批“人类口头和非物质遗产代表作”称号。昆曲，起源于历史上元末明初江苏省昆山地区，是中国乃至世界现存最古老的，具有悠久传统艺术的剧种，流传至今已有600 余年的历史。昆剧唱腔清柔婉转、格律严谨、细腻精致。剧本来源几乎涵盖了中国整部戏曲史，有着深厚的中国传统文化积淀和很高的文学价值。 \n  \n主题（行当和表演的介绍） \n\n曲牌赏析（遶地遊，皂羅袍，山桃紅）\n\n【绕地游】(旦上)梦回莺莺，乱煞年光遍。人立小庭深院。(贴)炼尽沉烟，抛残绣线，惜今春关情似去年？（杜丽娘/春香） \n【鲲罗袍】原来詹紫嫣红开遍，好像这一般都付与断井缨垣。良辰美景奈何天，赏心乐事谁家院！（杜丽娘/春香） \n  \n【山桃红】则为你如花美眸，似水流年，是答儿闲寻遍。在幽闺自怨自艾。小姐姐，和你那答儿讲话去。(旦作含笑不行)(生作牵)衣(旦低问)那里去？(生)转过这草药栏前，紧靠着湖山石边。(旦低问)秀才，去怎么的？(生低答)和你把领扣松，衣带宽，腰椎儿搐着牙儿苫也。则待你忍耐温存一醒。(旦作羞)(生前抱)(旦推介)(合)是那处曾相见，相看亦然，早难遇好处相逢无言？（柳梦梅/杜丽娘） \n  \n\n行当（闺门旦，六旦，小生）\n表演（手，眼，身，法，步）\n\n  \n尾声（提问时间） \n扫描二微码参与 \n讲题：昆曲《牡丹亭》赏析 \n时间：3月23日周四，欧洲中部时间晚上8:00-9:30 \nZoom: https://uni-goettingen.zoom.us/j/69098114580 \nMeeting ID: 690 9811 4580
URL:https://www.aki-goettingen.de/en/activity/online-talk-on-kunqu-operan-the-peony-pavilion/
LOCATION:Online Portal Zoom
CATEGORIES:Kultur-Veranstaltungen
ORGANIZER;CN="Akademisches Konfuzius-Institut G%C3%B6ttingen":MAILTO:chaf@aki-goettingen.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20230315T143000
DTEND;TZID=Europe/Berlin:20230315T170000
DTSTAMP:20261010T113930
CREATED:20230310T095349Z
LAST-MODIFIED:20230310T095349Z
UID:32057-1678890600-1678899600@www.aki-goettingen.de
SUMMARY:"Contemporary Theater Arts" Series No. 17
DESCRIPTION:Theater Identity  \nZhang Xian is a playwright\, theater director\, social choreographer\, and art activist. As one of the earliest independent dramatists in China in the post-Mao era\, he has long been based on the idea of civil society\, initiating and hosting several folk art groups\, pan-theater spaces\, and art festivals. He devotes himself to socio-theatrical actions in the hope of transforming lives. In 2005\, he participated in the creation of the independent artists’ consensus group—Zuhe Niao (Teaser Association)\, where he presented his creative works of anarchist dramatic performances\, ranging from dance theater\, physical theater\, and installation performance to forum theater and conceptual theater\, which continue to influence the resistance culture of the younger generation. He has published books\, including The Theatre of the Occult\, Myth in Action\, and How to Create Yourself. \n张献，剧作家、剧场导演、社会编舞家、艺术行动者。作为后毛泽东时代中国最早的独立戏剧家，他长期立足民间社会，发起组织、主持多个民间艺术团体、泛剧场空间及艺术节，致力于改造生活的社会戏剧行动。2005年参与创建独立艺术家共识组织“组合嬲“，逐一推出从舞蹈剧场、身体剧场、装置表演，到言论行动剧场、概念剧场等创造性安那其社会表演代表作品，与其主要著作《隐修剧场》、《神话行动》和《怎样创造自己》一道，持续地影响着年青一代的抵抗文化。 \n  \nZoom: https://uni-goettingen.zoom.us/j/64857394408 \nMeeting ID: 648 5739 4408 \nMarch 15\, 2023\, Wednesday\, CET 13:00 PM\, Beijing Time 20:00 PM \nHosts: Prof. Dr. Ziwen Gao (Nanjing University)\, Dr. Yumin Ao (The University of Göttingen)
URL:https://www.aki-goettingen.de/en/activity/contemporary-theater-arts-series-no-17/
LOCATION:Online Portal Zoom
CATEGORIES:Kultur-Veranstaltungen
ORGANIZER;CN="Akademisches Konfuzius-Institut G%C3%B6ttingen":MAILTO:chaf@aki-goettingen.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20230222T200000
DTEND;TZID=Europe/Berlin:20230222T213000
DTSTAMP:20261010T113930
CREATED:20230216T115225Z
LAST-MODIFIED:20230221T082514Z
UID:31996-1677096000-1677101400@www.aki-goettingen.de
SUMMARY:"Contemporary Theater Arts" Series No. 16 -  The Seeds of Drama—Taking The Clothes of Rongyi as an example 戏剧的种子——以《戎夷之衣》为例
DESCRIPTION: \n\n\n李静，剧作家，文学评论家。著有话剧《大先生》《秦国喜剧》《戎夷之衣》，出版有五卷本文集《我害怕生活》（包括《必须冒犯观众》《捕风记》《王小波的遗产》《致你》《戎夷之衣》)等。现居北京。《戎夷之衣》这部作品改编自《吕氏春秋·恃君览第八》中戎夷解衣的故事，一个人的棉衣和另一个人的余生，就这样被紧紧地焊接在一起。本次讲座作者将以此为例谈谈如何形成和确立一部戏的精神主题。这主题是一部戏的核心和种子。\n\nLi Jing\, playwright\, and literary critic\, is the author of Mr. Big\, Comedy of the State of Qin\, and the Clothes of Rongyi\, and published five volumes of the anthology I’m Afraid of Life (including “Must Offend the Audience” “Catching the Wind” “Wang Xiaobo’s Legacy” “To You ” “The Clothes of Rongyi”). She lives in Beijing. The Clothes of Rongyi is adapted from the story of Rongyi depicted in the Examinations Section 8 of the Annals of Lü Buwei (compiled in 239 BC). It tells about a cotton coat and Rongyi bonded together for life. Li Jing will take this play as an example to talk about how to develop a theme when writing a play——the seed of a play.\n\n\n\nZoom: https://uni-goettingen.zoom.us/j/64401512154\nMeeting ID: 644 0151 2154\nLanguage: Chinese
URL:https://www.aki-goettingen.de/en/activity/contemporary-theater-arts-series-no-16/
LOCATION:Online Portal Zoom
CATEGORIES:Kultur-Veranstaltungen
ORGANIZER;CN="Akademisches Konfuzius-Institut G%C3%B6ttingen":MAILTO:chaf@aki-goettingen.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20230119T130000
DTEND;TZID=Europe/Berlin:20230119T143000
DTSTAMP:20261010T113930
CREATED:20230111T085608Z
LAST-MODIFIED:20230111T085608Z
UID:31856-1674133200-1674138600@www.aki-goettingen.de
SUMMARY:“Contemporary Theater Arts” Seminar Series No. 15
DESCRIPTION:Abstract:  \nThe emergence of applied theatre as a refreshing alternative to the theatre mainstream has been gaining more attention and popularity in recent years both locally and internationally. Amongst all the definitive features of applied theatre works\, the specific modes of audience participation have been significant\, with very specific knowledge\, skills\, and rationale behind them. This short talk introduces the various forms of audience participation in the selected cases\, especially featuring a contemporary digital theatre work created during the pandemic times\, which was awarded “The Featured Works of 2020” by the International Association of Theatre Critics (Hong Kong)\, and its latest development. \n  \nBio: \nEstella Wong is currently the Associate Professor and the Head of Applied Theatre in the School of Drama\, Hong Kong Academy for Performing Arts. Graduated from the academy and Birmingham City University UK\, Estella has been actively working as an applied theatre practitioner\, drama educator\, theatre director\, actress and a practice-as-research academic for 25 years. She established and designed the first local Master of Fine Arts programme Drama and Theatre Education major in 2008; and the first local Bachelor of Fine Arts programme Applied Theatre major in 2022. Estella’s publications include Applying Theatre (co-authored 2011)\, chapter contributor of Performing research: Tensions\, triumphs and trade-offs of Ethnodrama (edited by Ackroyd & O’Toole\, 2010)\, Chinese translation of Dramawise: An Introduction of GCSE of Drama by Brad Haseman & John O’Toole (2005)\, Chinese translation of Gavin Bolton: Essential Writings by David Davis (2013)\, editor of Risks and Opportunities: the Tension in Hong Kong (2007). The Estella Wong Applied Theatre and Drama Education Scholarships was founded in 2010 for supporting drama students who have shown outstanding commitment in the Applied theatre and drama education field\, more than 20 graduate and undergraduate students have been awarded thus far. \nLanguage: English \nTime: Thursday\, Jan. 19\, 2023\, 13: 00 PM -14: 30 PM CET\, Hong Kong Time 20: 00-21: 30 PM \nLink:   https://uni-goettingen.zoom.us/j/69482194990 \nMeeting ID: 694 8219 4990 \nScan the QR code to join the conference
URL:https://www.aki-goettingen.de/en/activity/contemporary-theater-arts-seminar-series-no-15/
LOCATION:Online Portal Zoom
CATEGORIES:Kultur-Veranstaltungen
ORGANIZER;CN="Akademisches Konfuzius-Institut G%C3%B6ttingen":MAILTO:chaf@aki-goettingen.de
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20221208
DTEND;VALUE=DATE:20221210
DTSTAMP:20261010T113930
CREATED:20221108T092153Z
LAST-MODIFIED:20221117T085223Z
UID:31791-1670457600-1670630399@www.aki-goettingen.de
SUMMARY:Between Asia and Europe\, Between Local Specificity and Global Recognition
DESCRIPTION:The 1st International Symposium on Contemporary Asian Theatre\n \n\nThe 1st International Symposium on Contemporary Asian Theatre will take place in Göttingen on Dec. 8 and 9 with a theme on “Between Asia and Europe\, Between Local Specificity and Global Recognition.” The symposium consists of four parts and is open to the public audience: \n \n1) Three Keynote Speeches: on artistic exchange and cultural diplomacy; and talks were given by artistic directors and curators of theater festivals to reflect on the contemporary theater landscapes in India and China.  \n2) Two Conference Sessions: international critics\, scholars\, and artists will present talks about and discuss “Local Specificity” and “Global Recognition.”\n3) One Artist Forum: an online forum for Europe-based Asian artists to discuss any issues of interest to them; an introductory webpage created to showcase their artistic works. \n4) Three Workshops: developed by scholars from Göttingen\, Cambridge\, Heidelberg\, and Berkeley in California; on virtual reality in theatre; on finding the communal through transborder art; on digital humanities and theatre archives. \n\nFor the symposium program\, please click here.\nRegister Now!\n 
URL:https://www.aki-goettingen.de/en/activity/between-asia-and-europe-between-local-specificity-and-global-recognition/
LOCATION:Tagungs-und Veranstaltungshaus Alte Mensa\, Hannah-Vogt-Saal\, Wilhelmsplatz 3\, Göttingen\, 37073\, Deutschland
CATEGORIES:Kultur-Veranstaltungen
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20221129T130000
DTEND;TZID=Europe/Berlin:20221129T143000
DTSTAMP:20261010T113930
CREATED:20221117T080933Z
LAST-MODIFIED:20221117T082614Z
UID:31837-1669726800-1669732200@www.aki-goettingen.de
SUMMARY:"Contemporary Theater Arts" Seminar Series No. 14
DESCRIPTION:主题: 草稿剧场：在流水线式剧场生产之外 \n摘要: “草稿剧场”所催生的戏剧，总处在有待完成的进行状态——它可以被当作人们在一起不断试图描绘世界过程的一张张草稿。它因此难以被视为商业产品或个人化的作品。草稿剧场被我从民间剧团“草台班”近年的实践中提升出来，它不是一项形式主义的剧场实验，而更关乎文艺中的生产关系——我们为什么需要剧场？但它仍从形式：空间、表演、个人与集体、现实与诗意等路径来具体展开和探索。民间原生态的草台班子，意味了更生动的空间形态，是草稿剧场的立足点；主要由普通人而非剧场专业人士参与的探索和拓展的剧场工作坊，是它的主要实践方法。它强调身体力行过程中的不断涂抹、描画和呈现。戏剧若是社会史的一部分，草稿剧场则希望在当下环境中积蓄迎向未来的积极能量。本讲座会以我与草台班参与者近年的一些创作和实践为例作分享和研讨。 \n  \n简介: 赵川，跨越剧场、文学、电影等多重创作领域，也介入艺术评论与策划，是2005年开始的民间剧团“草台班”的共同创建与主导者。他执着于探索艺术与社会实践如何交织——什么是其中的个人、集体、身体、思辨、纪录与诗意。参与集体创作、导演和演出的作品包括：探索当下青年生存状态的《草芥》系列（2018-2019）、关于底层困境、革命史和未来探讨的“社会剧场三部曲”（2006-2017）：《世界工厂》、《小社会》与《狂人故事》等。已在海内外出版包括《激进艺术小史》（2014）、《不弃剧场》（2021）、《另一场聚会》（联合编撰，2021）等多种书籍。 \n  \n语言: 中文 \n会议链接:  https://uni-goettingen.zoom.us/j/66476427828 \n会议 ID: 676 228 6172 \n 
URL:https://www.aki-goettingen.de/en/activity/contemporary-theater-arts-seminar-series-no-14/
LOCATION:Online Portal Zoom
CATEGORIES:Kultur-Veranstaltungen
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20221111T150000
DTEND;TZID=Europe/Berlin:20221111T170000
DTSTAMP:20261010T113930
CREATED:20221108T084035Z
LAST-MODIFIED:20221108T084035Z
UID:31780-1668178800-1668186000@www.aki-goettingen.de
SUMMARY:Drama reading - Hometown by Ziwen Gao
DESCRIPTION:剧情：为纪念鲁迅先生《故乡》发表一百周年，编剧高子文创作了三幕喜剧《故乡》。大学生李新和李菲菲回到了位于江南的农村老家，看到故乡在新农村建设下已是旧貌换新颜，也观察到农村社会深层的巨变和割裂。剧本集中表现现代文明与传统观念的碰撞，客观地记录下新农村在新时代下所发生的文化转型。作品在喜剧性的氛围中，挖掘出了人物的悲剧性内核，极具艺术感染力。 \nLanguage: Chinese \nContact: yingming.theater@gmail.com
URL:https://www.aki-goettingen.de/en/activity/drama-reading-hometown-by-ziwen-gao/
LOCATION:LSG0.124
CATEGORIES:Kultur-Veranstaltungen
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20221028T160000
DTEND;TZID=Europe/Berlin:20221028T180000
DTSTAMP:20261010T113930
CREATED:20221017T103439Z
LAST-MODIFIED:20221017T104356Z
UID:31746-1666972800-1666980000@www.aki-goettingen.de
SUMMARY:剧本朗读活动 No. 41 - The coffin is too big for the hole by Kuo Pao Kun
DESCRIPTION:剧情：该剧由新加坡文化奖获得者郭宝崑于1985年创作。棺材太大了吗？还是这个洞太小了？人们会怎么做？这是一场强者与弱者之间的拉锯战。这部卡夫卡式的戏剧讲述了一位男子负责操办祖父的葬礼，因为棺材尺寸太大的问题，与官僚机构之间展开的对抗。 \nSynopsis: The play was written in 1985 by Singapore Cultural Medallion winner\, Kuo Pao Kun. Is the coffin too big? Or is the hole too small? What will people do? This is a tug-of-war between the powerful and the powerless. This Kafkaesque play tells the story of a man tasked to oversee the funeral of his grandfather and his fight against government bureaucracy when the grand coffin is too large for the hole. \n语言 – Language：中文 – Chinese \n联系 – Contact：yingming.theater@gmail.com \n  \n 
URL:https://www.aki-goettingen.de/en/activity/%e5%89%a7%e6%9c%ac%e6%9c%97%e8%af%bb%e6%b4%bb%e5%8a%a8-no-41-the-coffin-is-too-big-for-the-hole-by-kuo-pao-kun/
LOCATION:Humboldtallee 32/34\, Raum 2-117\, Humboldtallee 32/34\, Göttingen\, 37073\, Deutschland
CATEGORIES:Kultur-Veranstaltungen
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20221028T140000
DTEND;TZID=Europe/Berlin:20221028T153000
DTSTAMP:20261010T113930
CREATED:20221007T092909Z
LAST-MODIFIED:20221010T101132Z
UID:31696-1666965600-1666971000@www.aki-goettingen.de
SUMMARY:“Contemporary Theater Arts” Seminar Series No. 13
DESCRIPTION:Cantonese Opera in a Shakespearean Garb: An East-West Adaptation Framework \nAbstract: \nDrama and performances are meticulously knitted with poetic and lyrical representations; poetry in turn conforms well to the dialogue-lyric-laden framework of plays and operas. Specifically in the case of Cantonese opera\, it is inspiring to scrutinize the intimate relationship amongst the specific poetic structure\, rhetorical features and their cultural implications manifested in performable genres during the process of translation and adaptation. \nOver the last few decades\, some attempts of adapting Shakespearean plays into Cantonese opera performances were witnessed. Well-known Shakespearean plays like Macbeth\, Hamlet and Midsummer Night’s Dream have been reformatted and restored into localized Cantonese opera titles (starting from 1996\, and in 2012 and 2015/2018 respectively)\, resulting from a breakaway of territorial and literary restrictions\, and a merging of Eastern and Western essentials to supplement the original taste of these performances. For Chinese performance goers who are also familiar with English literary masterpieces\, this creation subsequently serves as a brand-new knowledge transfer. In spite of some criticisms received for such adaptations for being “something in-between”\, it is still worthy of sensible discussions about the value of their existence. \nShort Bio: \nKelly Kar Yue CHAN completed her undergraduate degree and her master’s degree both in the discipline of Translation and Interpretation at the City University of Hong Kong. She then finished her PhD in Classical Chinese Literature at the University of Edinburgh\, Scotland\, UK. She is currently an Associate Professor in language and translation at Hong Kong Metropolitan University\, teaching undergraduate and postgraduate courses on culture and translation\, and literary translation. Her research interests include literary translation\, translation of women’s poetry in pre-modern China\, and translation of Cantonese opera. \n  \n陈家愉博士，获得香港城市大学翻译和口译学本科和硕士学位。毕业于英国苏格兰爱丁堡大学，获得中国古典文学博士学位。现任香港都会大学人文学院语言与翻译学副教授，教授文化与翻译、文学翻译等本科和研究生课程。她的研究兴趣包括文学翻译、前现代中国女性诗歌翻译和粤剧翻译。 \n  \nLink:  https://uni-goettingen.zoom.us/j/64692657215 \n  \nTime: Oct. 28\, 2022\, Friday\, CET 14:00 PM -15:30 PM\, Beijing Time 20:00-21:30 PM \n 
URL:https://www.aki-goettingen.de/en/activity/contemporary-theater-arts-seminar-series-no-13/
LOCATION:Online Portal Zoom
CATEGORIES:Kultur-Veranstaltungen
ORGANIZER;CN="Akademisches Konfuzius-Institut G%C3%B6ttingen":MAILTO:chaf@aki-goettingen.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20220525T140000
DTEND;TZID=Europe/Berlin:20220525T153000
DTSTAMP:20261010T113930
CREATED:20220520T112439Z
LAST-MODIFIED:20220520T112439Z
UID:31619-1653487200-1653492600@www.aki-goettingen.de
SUMMARY:“Contemporary Theater Art” Seminar series No. 12
DESCRIPTION:Writing a Play Script and Teaching How to Write One \nContent： \n\nCan we “learn” how to write a play? What are the pros and cons of playwriting “apprenticeships”?\nCan we “teach” how to write a play? Is teaching playwriting equivalent to play diagnosis?\nWhat is dramaturgy in the opinion of a playwright? How did I write “Hudec”?\n\n  \nShort bio: \nGuo Chenzi\, M.A.\, associate professor of Shanghai Theater Academy. Her works written include the dramas performed in black box theaters “Don’t Ask Who I Am”\, “Love Slimming”\, “Resurrection”\, the musical drama “Zhong Kui”\, “A Moment Is Not Forever”\, the musical “Jews in Shanghai” (cooperation with others)\, stage plays “Hudec” and “Clear Ripples”\, etc. She has published books Kunqu Opera: The Past Life I See in This Life\, A Moment Is Not Forever – Guo Chenzi’s Drama Collection\, The Curtain Opens – Guo Chenzi’s Drama Critic Collection and Chenzi Watching Dramas. \n \n写剧本，教写剧本 \n——编剧与编剧教学 \n  \n\n写剧本能“学”吗？编剧“学徒制”的利与弊。\n写剧本能“教”吗？编剧教学=剧本诊断？\n编剧眼中的Dramaturgy与《邬达克》的写作。\n\n  \n个人简介： \n郭晨子，文学硕士，上海戏剧学院副教授。 \n编剧并上演的作品主要有小剧场话剧《别问我是谁》《爱情瘦身》《还魂记》、音乐话剧《钟馗》《瞬间不是永远》、音乐剧《犹太人在上海》（与人合作）、舞台剧《邬达克》《清清涟漪》等。出版有《昆曲 今生看到的前世》《瞬间不是永远——郭晨子剧作集》《大幕拉开——郭晨子戏剧评论集》和《晨子看戏》。 \nZoom Meeting: https://uni-goettingen.zoom.us/j/62861416226 \nMeeting ID: 628 6141 6226 \nLanguage: Chinese
URL:https://www.aki-goettingen.de/en/activity/contemporary-theater-art-seminar-series-no-12/
LOCATION:Online Portal Zoom
CATEGORIES:Kultur-Veranstaltungen
ORGANIZER;CN="Akademisches Konfuzius-Institut G%C3%B6ttingen":MAILTO:chaf@aki-goettingen.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20220504T160000
DTEND;TZID=Europe/Berlin:20220504T173000
DTSTAMP:20261010T113930
CREATED:20220221T105313Z
LAST-MODIFIED:20220221T105313Z
UID:31515-1651680000-1651685400@www.aki-goettingen.de
SUMMARY:“Contemporary Theater Art” Seminar Series No. 10 - Performing the Socialist State
DESCRIPTION:Content \nThe lecture offers a quick overview of Xiaomei Chen’s forthcoming book\, Performing the Socialist State: Moments\, Crisis and Success of Modern Chinese Theater (Columbia University Press\, 2022). It begins with the theatrical achievements of Tian Han\, Hong Shen\, and Ouyang Yuqian\, three founders of spoken drama\, and ask how their legacies in the Republican period played important roles in constructing socialist theater. She will demonstrate how these multi-faceted leaders provided the blueprints for the Maoist theater in the PRC\, contrary to the conventional claim that the PRC theater is a total break-away from the Republican period. To this end and in this context\, she will reflect on the continuities with the performing culture in the Republican period through examinations of “Rightist satirical comedies” in the 1950s\, women’s theater and film “red classic” in the 1960s\, scientists on stage in the Maoist and post-Maoist periods\, and soldiers in transformation from the Republican\, to the socialist\, and finally\, to the post-socialist stage. She will also explore the relationship between science and theater\, music and theater\, and artists and their collective identities as “new cultural workers.” \n  \nShort Bio \nXiaomei Chen is Distinguished Professor at the University of California at Davis where she teaches modern Chinese literature\, film\, and theater. She is the author of Occidentalism (1995)\, Acting the Right Part (2002)\, and Staging Chinese Revolution (2016). She is the editor of Reading the Right Text (2003) and Columbia Anthology of Modern Chinese Drama (2010) and co-editor\, with Claire Sponsler\, of East of West: Cross-Cultural Performances and the Staging of Difference (2000)”; with Julia Andrew\, of Visual Culture in Contemporary China (2001)\, with Steven Siouan Liu\, Hong Shen and the Modern Mediasphere in Republican-Era China (2016)\, and with Tarryn Chun and Siyuan Liu\, Rethinking Socialist Theater Reform (2021). \n  \n  \n  \n  \nZoom Meeting:   https://uni-goettingen.zoom.us/j/95966904122 \nMeeting ID: 959 6690 4122 \nLanguage: English \n 
URL:https://www.aki-goettingen.de/en/activity/contemporary-theater-art-seminar-series-no-10-performing-the-socialist-state/
LOCATION:Online Portal Zoom
CATEGORIES:Kultur-Veranstaltungen
ORGANIZER;CN="Akademisches Konfuzius-Institut G%C3%B6ttingen":MAILTO:chaf@aki-goettingen.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20220316T130000
DTEND;TZID=Europe/Berlin:20220316T143000
DTSTAMP:20261010T113930
CREATED:20220120T103736Z
LAST-MODIFIED:20220222T083024Z
UID:31424-1647435600-1647441000@www.aki-goettingen.de
SUMMARY:Contemporary Theater Art” Seminar Series No. 9 - Comedies in contemporary Chinese theatre - a sudden boom
DESCRIPTION:Content: \nSabine Heymann in conversation with Anna Stecher about her new book „Die Konjunktur her Komödie im China der Gegenwart“ (The boom of comedies in contemporary China) –  which presents six current successful comedies from China in German translation. \nChinese theatre is not famous for comedies. As far as we know\, up to now no Western book has been explicitly dedicated to this topic. However\, comedies are among the most watched and discussed plays in contemporary Chinese theatre of recent years – and someone might even argue\, that in present time comedy has become the most serious theatrical expression on the Chinese stage. Entangled with the commercialization of theatre\, new cultural structures and the changing of urban audiences\, the question is: How is this phenomenon to be understood? As a sudden boom influenced by narrative conventions of Western cinema? As a special expression of a millennial tradition of entertainment – and critique? It has to be said: comedies as an own genre didn’t really exist within the Chinese theatre tradition. On the other hand:  elements of comedy have always been an important piece of the big xiqu tragedies. \nWhile Chinese audiences are familiar with actors and plays\, academic research does not appear to be interested in contemporary comedies\, not to mention possible readers and audiences outside China\, which have hardly heard of them. This was the reason for Anna Stecher and her colleague Xu Jian in Beijing to plan a book project focusing on contemporary Chinese comedies. It presents some of the most popular recent plays\, written by Nick Yu\, Wen Fangyi\, Huang Weiruo\, Lin Weiran\, Guo Shixing and Li Jing. It also aims to propose different approaches towards Chinese theatre – every play in translation is introduced by an expert from the fields of Chinese studies or Theatre studies. In addition\, it intends to contextualize the recent phenomenon of comedies within different fields\, such as the social reality in contemporary China and the history of comedy in China and to discuss questions like: Which topics are contemporary Chinese comedians interested in? How can this phenomenon be understood in the context of 20th and 21st century in China? How can these comedies be understood in Europe? Last but not least\, it aims at exploring comedy as a text for intercultural communication. When watching theatrical comedy performances on stage or on tape you think: what the heck is so funny about them? Questions like these are discussion topics of the the book – and some more will be addressed in the “Contemporary Theater Art” Seminar Series. \n  \nShort Bio: \nSabine Heymann – the managing director of the ZMI (Interdisciplinary Research Center for Media and Interactivity) at the University of Giessen from the foundation in 2001 until 2017\, theatre critic and journalist\, translator of theatre texts\, fiction and non-fiction books\, as well as an expert on the theatre scenes in Italy and China. Already during her studies of German and Romance studies at the University of Giessen she had been working as a cultural journalist and theatre critic for the German newspaper Frankfurter Rundschau and the German public-service television and radio broadcaster Hessischer Rundfunk. From 1981 to 1994 she was a cultural correspondent in Rome\, where she worked for several important German newspapers\, the prestigious theatre review Theater heute and radio stations. Various lectureships brought her to the Freie Universität Berlin\, to the Universities of Mainz and Frankfurt am Main\, as well as to the Institute for Applied Theatre Studies at the University of Giessen\, where she gave lectures about the subject of “Post-dramatic Theatre in Italy”. In 1994 she became curator of supporting programs at the Art and Exhibition Hall of the Federal Republic of Germany in Bonn. She returned to the University of Giessen in 1996 and became the personal assistant of the President of the University of Giessen. She started working on Chinese theatre with the moderation of the Workshop “One table two chairs” at the Haus der Kulturen der Welt (Berlin) in 2000\, followed by several journeys and work stays in different parts of China. In 2009 she published a report about the theatre scene in Shanghai in Theater heute. She took part on several European-Chinese culture dialogues\, conferences and workshops of Goethe Institut and EUNIC as well as within the cooperation between ZMI and Shanghai Theatre Academy. In 2011 she curated the third German-Chinese Theatre Forum in Chongqing (Goethe Institut). She gave lectures and took part on scientific round-tables in Shanghai\, Hamburg\, Munich\, Salzburg\, Weimar\, Hellerau\, Frankfurt etc. and in 2015 she moderated the panel about New German Musiktheater inside the international conference “Turning Point of the Theatre” (Shanghai). Her book “Contemporary theatre in China” (Alexander Verlag\, Berlin\, published in 2017 together with Cao Kefei and Christoph Lepschy) immediately became a reference work on the subject in Germany. At present\, she is concerned by translations\, publishing of scientific essays\, teaching at different universities. \nAnna Stecher \nDr. Anna Stecher is an assistant professor at the Institute of Sinology at Ludwig-Maximilians- Universität (LMU) Munich. She studied Oriental History at the University of Bologna and Modern Chinese Literature at Beijing Normal University (MA and PhD). She also holds a PhD (Dr. phil)  in Theatre Studies from LMU. Her main research interests are Chinese theatre and modern Chinese literature. She is the author of a book-length study on Lin Zhaohua\, China’s most influent theatre director of the late 20th and early 21st century (Im Dialog mit dem chinesischen Schauspieljahrhundert. Studien zum Theater von Lin Zhaohua)\, co-editor of a volume with contemporary Chinese plays (Chinas Schauspiel. Nah am Nerv. Sechs Stückübersetzungen)\, and co-translator of a collection of sanqu-songs from Yuan China (Lieddichtungen aus der Yuan-Zeit). Her publications further include a number of literary translations from Chinese. \n  \n  \nZoom Meeting: https://uni-goettingen.zoom.us/j/97996297643 \nMeeting ID: 979 9629 7643 \nLanguage: English
URL:https://www.aki-goettingen.de/en/activity/contemporary-theater-art-seminar-series-no-9-comedies-in-contemporary-chinese-theatre-a-sudden-boom/
LOCATION:Online Portal Zoom
CATEGORIES:Kultur-Veranstaltungen
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20220130T190000
DTEND;TZID=Europe/Berlin:20220130T220000
DTSTAMP:20261010T113930
CREATED:20220124T110532Z
LAST-MODIFIED:20220124T110805Z
UID:31434-1643569200-1643580000@www.aki-goettingen.de
SUMMARY:Einladung zur Online-Veranstaltung - Chinesisches Frühlingsfest
DESCRIPTION:Liebe Alle\, \nwir laden Sie herzlich zum diesjährigen Frühlingsfest ganz herzlich ein! \nLassen Sie uns das Jahr des Tigers gebührend begrüßen. \n  \nOnline: \nYoutube-Chinese Goettingen \nBilibili- https://live.bilibili.com/24158460?spm_id_from=333.999.0.0
URL:https://www.aki-goettingen.de/en/activity/31428/
CATEGORIES:Kultur-Veranstaltungen
ORGANIZER;CN="Akademisches Konfuzius-Institut G%C3%B6ttingen":MAILTO:chaf@aki-goettingen.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20220112T130000
DTEND;TZID=Europe/Berlin:20220112T143000
DTSTAMP:20261010T113930
CREATED:20220110T104710Z
LAST-MODIFIED:20220110T104710Z
UID:31396-1641992400-1641997800@www.aki-goettingen.de
SUMMARY:“Contemporary Theater Art” Seminar Series No. 8 - Play and Performance of Hometown: A Talk on College Theater Production
DESCRIPTION:Lecture Content \n\nTo introduce the production background of Hometown\nTo describe the production process and market promotion\nTo discuss the advantage and challenges for college theater productions\n\n  \nShort Bio \nGao Ziwen: associate professor at Nanjing University\, head of the Department of Theater\, Film\, and TV Arts\, and deputy dean of the School of Liberal Arts. He received a bachelor’s degree in Chinese Language and Literature and earned his M.A. and Ph.D. degrees in Theater and Traditional Chinese Drama Studies from Nanjing University. In 2011\, he was a visiting scholar at Columbia University. In 2013\, he participated in the artist-in-residence program in Austria. He currently acts as the executive editor of Stage and Screen Review. In 2019\, he was awarded the Fund for Outstanding Young Scholars in Social Sciences in Jiangsu province. He was selected by the Jiangsu Province “Qinglan Initiative” as one of the young and mid-aged academic leaders in 2021. His research interests include theatrical theories and theater criticism. He has completed\, as Principle Investigator\, several research projects in social sciences at national and provincial levels. He was granted the Young Teacher Award of the Fok Yingdong Education Foundation. He wrote a monograph Wenming de nizi: Meiguo xiandai xiju de zhongguo xushu and translated American Avant–Garde Theatre: A History into Chinese. He has published over 30 papers which can be seen in Literature and Art Studies\, The Journal of National Taiwan Normal University\, and Theater Arts\, etc. He also authored stage plays\, including Day and Night Here\, Pollution and Purification\, and Hometown. \nEvent Information \nWe are honored to invite Assoc. Prof. Dr. Gao Ziwen of the Department of Theater\, Film\, and TV Arts of Nanjing University as our first guest speaker for the “Contemporary Theater Art” Seminar Series in the Year 2022. He will deliver a talk on “Play and Performance of Hometown: College Theater Production.” Hometown is a three-act comedy written by Dr. Gao. The author demonstrates his respect for Lu Xun to mark the 100th anniversary of Lu’s publication of the novelette of the same name. The play tells the social life in rural China while experiencing dramatic changes. It demonstrates snobbish or friendly relationships in the countryside as well. It depicts the mental distress of peasants in the hometown and educated young people who have made their exodus to cities. It presents the tension between people’s “being adaptable” and “being rigid.” The whole thrust of the drama is full of humor and irony. Meanwhile\, it makes the audiences reflect on China’s rural economic and social development. Their department is housed in the Faculty of Literature. It offers one of the most influential and leading undergraduate and graduate programs in drama or theater studies at the C9 League universities in China. They produced the historical comedy President’s Invitation in 2012. The director was Prof. Lü Xiaoping\, and the play was authored by Lü’s student Wen Fangyi whom The Journal of Ying Ming Theater  (Vol. 7) interviewed. The cast consisted of the students and teachers from Communication University of China (Nanjing) and the MFA students from Nanjing University. This drama has grossed ¥10 million at the box office. It went on tour in North America in 2013. The New York Times  (Chinese Edition) published an analytical article on the reasons for the success of this production and the phenomenon of returning to dramatic texts in the current Chinese theater landscape. \nZoom Meeting: https://uni-goettingen.zoom.us/j/96138078236 \nMeeting ID: 96138078236 \n 
URL:https://www.aki-goettingen.de/en/activity/contemporary-theater-art-seminar-series-no-8-play-and-performance-of-hometown-a-talk-on-college-theater-production/
LOCATION:Online Portal Zoom
CATEGORIES:Kultur-Veranstaltungen
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20211211T130000
DTEND;TZID=Europe/Berlin:20211211T140000
DTSTAMP:20261010T113930
CREATED:20211206T110229Z
LAST-MODIFIED:20211206T110229Z
UID:31382-1639227600-1639231200@www.aki-goettingen.de
SUMMARY:Online Theater Reading - To Live
DESCRIPTION:Play Script: To Live or Huozhe in Chinese\, a play by Zhang Xian adapted from Yu Hua’s novel of the same name. It describes the struggles endured by the son of a wealthy land-owner\, Fugui\, in China from the 1940s to the 1970s.  \nZoom: https://uni-goettingen.zoom.us/j/97211990533 \nMeeting ID: 972 1199 0533
URL:https://www.aki-goettingen.de/en/activity/online-theater-reading-to-live/
LOCATION:Online Portal Zoom
CATEGORIES:Kultur-Veranstaltungen
ORGANIZER;CN="Akademisches Konfuzius-Institut G%C3%B6ttingen":MAILTO:chaf@aki-goettingen.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20211208T130000
DTEND;TZID=Europe/Berlin:20211208T143000
DTSTAMP:20261010T113930
CREATED:20211118T115030Z
LAST-MODIFIED:20211125T145917Z
UID:31342-1638968400-1638973800@www.aki-goettingen.de
SUMMARY:Contemporary Theater Arts Seminar Series No. 7
DESCRIPTION:Illustrating the Stage of Hong Kong for Audiences of the Present and the Future – My Creative Journey as a Curator of the Exhibition “A Snap beyond Borders” \nBio: \nChan Kwok Wai Bernice is currently the General Manager of the International Association of Theatre Critics (Hong Kong)\, and an Examiner for the Hong Kong Arts Development Council (Drama Committee). She is also a Panel Member of the Hong Kong Drama Awards\, the Hong Kong Theatre Libre\, and the IATC(HK) Critics Awards\, as well as an Executive Committee Member of the International Association of Libraries\, Museums\, Archives and Documentation Centres of the Performing Arts (SIBMAS). \nShe received the Hong Kong Arts Development Council-University of Leeds-Chevening Scholarships in 2005 and obtained her Master of Arts in Theatre Studies from the University of Leeds (UK). She was also an Art Form Panel Member (Festivals) of the Leisure and Cultural Services Department (2011–2016)\, an Advisory Committee Member of School of Drama\, the Hong Kong of Academy for Performing Arts (2017–2018)\, as well as a guest host of Artscritique (2007–2018)and a Radio and Television Hong Kong radio programme. Chan has curated and edited over 50 publishing projects about performing arts. Her recent editorial projects have included Ten Years of A City: Selected Hong Kong Plays (2003–2012)\, which was awarded the 11th Hong Kong Book Prize in 2018\, and “A Snap beyond Borders: An Online Archive and Education Project of Hong Kong Theatre and Performance Photography”. \nZoom Meeting: https://uni-goettingen.zoom.us/j/96420658426 \nMeeting ID: 964 2065 8426 \nLanguage: English \nOrganizer: Ying Ming Theater
URL:https://www.aki-goettingen.de/en/activity/contemporary-theater-arts-seminar-series-no-7/
LOCATION:Online Portal Zoom
CATEGORIES:Kultur-Veranstaltungen
ORGANIZER;CN="Akademisches Konfuzius-Institut G%C3%B6ttingen":MAILTO:chaf@aki-goettingen.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20211124T130000
DTEND;TZID=Europe/Berlin:20211124T143000
DTSTAMP:20261010T113930
CREATED:20211108T101250Z
LAST-MODIFIED:20211118T114359Z
UID:31225-1637758800-1637764200@www.aki-goettingen.de
SUMMARY:Contemporary Theater Arts Seminar Series No. 6
DESCRIPTION:哥廷根大学“当代剧场艺术”讲座系列第六期 \n \n讲题: 中国当代剧场内外的生态展演艺术 \n主讲人: 丁柳博士 \n  \n时间: 2021年11月24日（周三），欧洲中部时间下午13:00点，北京时间晚上20:00点 \n地点： https://uni-goettingen.zoom.us/j/94944402503 \n会议号：949 4440 2503 \n语言：中文 \n主办：哥廷根大学《嘤鸣戏剧》 \n支持：哥廷根大学学术孔子学院，哥廷根大学东亚系 \n  \n讲座内容： \n1、《<人民公敌>事件》：青春与理想 \n2、《霾》、《我们如何与这个世界相处》：个人经验记忆与媒介互动 \n3、“坚果兄弟”：切入社会、生活的行动与行为展演 \n4、结语：不同媒介的共同表达 \n  \n简介： \n丁柳，南京晓庄学院新闻传播学院副教授，毕业于北京师范大学（艺术学硕士），中央戏剧学院（艺术学博士）。研究方向为新型剧场艺术、应用剧场、纪录片创作等；剧场导演作品有《霾》（2014）、《十八岁·出门远行》（2015）等；策划展演项目有《创意课本剧》（2018）、《非虚构艺术展演》（2019）、《我们如何与这个世界相处》（2020）等。 \n  \n 
URL:https://www.aki-goettingen.de/en/activity/contemporary-theater-arts-seminar-series-no-6/
LOCATION:Online Portal Zoom
CATEGORIES:Kultur-Veranstaltungen
ORGANIZER;CN="Akademisches Konfuzius-Institut G%C3%B6ttingen":MAILTO:chaf@aki-goettingen.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20211117T140000
DTEND;TZID=Europe/Berlin:20211117T153000
DTSTAMP:20261010T113930
CREATED:20211007T091707Z
LAST-MODIFIED:20211021T124848Z
UID:31155-1637157600-1637163000@www.aki-goettingen.de
SUMMARY:Contemporary Theater Performance Seminar Series No. 5
DESCRIPTION:Lecture Content \n\nReview of theoretical perspectives on “poetic drama” in China and abroad\nExploring poetic expression in contemporary theatre\nFrom fragments to synthesis – Poetic expression in the stages of my dramatic writing\nQuestions and Discussion\n\nShort Bio \nA playwright of the National Theatre of China\, ZHONG Haiqing graduated from the Shanghai Theatre Academy and the Central Academy of Drama with a PhD in Fine Arts\, and is an active creator in the current stage art scene. His representative works include The Bells of Jingyang\, The White-Skeleton Demon Subdues the Monkey King Three Times\, Time of Sorrow\, Dou Zhi Er\, The White Snake and Kill the Autumn Dream. He has published nearly twenty professional papers in journals such as Theatre Art\, Playwright\, New Play\, and Shanghai Drama. He has been invited to participate in domestic and international academic seminars. \n  \n  \n  \n戏剧创作中的诗性追求及其表达 \n讲座框架 \n1、回顾中外“诗剧”的理论观点（15分钟左右）。 \n2、探讨现当代戏剧中的诗性表达（15分钟左右）。 \n3、从片断到整体——诗性表达在本人戏剧创作的几个阶段（30分钟左右）。 \n4、30分钟与听众交流。 \n钟海清简介 \n中国国家话剧院编剧，先后毕业于上海戏剧学院与中央戏剧学院，艺术学博士，活跃于当下舞台艺术界的创作者。代表作品包括《景阳钟声》、《白骨精三打孙悟空》、《悲情时光》、《豆汁儿》、《白蛇》、《杀死秋天的梦》等。在《戏剧艺术》、《剧作家》、《新剧本》、《上海戏剧》等期刊上发表专业论文近二十篇。累计受邀参加国内及国际学术研讨会十余次。 \nZoom Link: https://uni-goettingen.zoom.us/j/97981532103?pwd=Ykh5ZlgvTG1sYWxWdWxzVHdyOEFZQT09 \nMeeting ID: 979 8153 2103 \nPasscode: 690302 \nFor more information: https://yingmingtheater.com/seminar-series-no-5/
URL:https://www.aki-goettingen.de/en/activity/contemporary-theater-performance-seminar-series-no-5/
LOCATION:Online Portal Zoom
CATEGORIES:Kultur-Veranstaltungen
ORGANIZER;CN="Akademisches Konfuzius-Institut G%C3%B6ttingen":MAILTO:chaf@aki-goettingen.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20211013T140000
DTEND;TZID=Europe/Berlin:20211013T153000
DTSTAMP:20261010T113930
CREATED:20211007T091138Z
LAST-MODIFIED:20211007T091138Z
UID:31159-1634133600-1634139000@www.aki-goettingen.de
SUMMARY:Contemporary Theater Performance Seminar Series No. 4
DESCRIPTION:Shakespeare in Contemporary Performance: Beyond the Western Canon \nAbstract  \nFrom the early sixties to the present\, one thesis seems to have reigned over Shakespeare’s international reception. At least insofar as his theatre is concerned. More poignantly than any other critical or scholarly notion\, Jan Kott’s sense of “Shakespeare\, our contemporary” has captured the spirit of what it means to read Hamlet\, King Lear or Macbeth in modern and postmodern times. However\, after the publication of his seminal book\, Kott would revisit his assertions and state that some of Shakespeare’s plays\, characters\, lines are more contemporary than the rest. What accounts for their special resonance? What makes them truly contemporary? Moreover\, how is that “contemporariness” defined in geographic terms? Focusing on a few key Shakespearean texts\, and discussing some major Asian performances based on them\, this presentation will explore the above questions from a non-Western perspective. It will demonstrate that the works of the late Yukio Ninagawa\, as well as those of Wu Hsing-Kuo or Tang Shu Wing offer invaluable insights into Shakespeare’s contemporary relevance. Beyond the Western canon\, above any form of “glocalization”\, their performances affirm universal values within a powerful Eastern paradigm. \nShort Bio \nProfessor Octavian Saiu is a scholar and professional theatre critic. He holds a PhD in Theatre Studies from National University of Theatre and Film (NUTF) in Romania\, with a thesis about theatrical space\, and another PhD in Comparative Literature from the University of Otago in New Zealand\, with a thesis about Samuel Beckett and Eugène Ionesco. He completed his Post-Doc in Modern Literature at the University of Otago\, and has been awarded his Habilitation in Theatre and Performing Arts. He teaches in the Postgraduate Programme of NUTF\, the Doctoral School of Sibiu University and the Centre of Excellence in Visual Studies of the University of Bucharest. He was Visiting Fellow at the University of London\, School of Advanced Study\, and is Visiting Professor at universities in Tokyo\, Hong Kong\, Beijing and Lisbon. He has offered master classes at other universities in Europe\, Africa\, Asia\, and the Middle East\, as well as the Grotowski Institute. He has been actively involved\, as Conference Chair and Invited Speaker\, in several major theatre and academic events around the world\, including the Theatre Olympics\, Wuzhen Theatre Festival\, as well as Edinburgh International Festival\, where he was Chair of the Samuel Beckett Conference in 2013. Since 2004 he has been Chair of the Conferences of Sibiu International Theatre Festival. He has published academic articles in several international journals\, as well as twelve books on theatre. He received the Critics’ Award in 2010 and the Award of the Union of Theatre Artists (UNITER) in 2013. In 2020\, on the National Day of Culture\, the President of Romania awarded him the Order of Cultural Merit. \nZoom Link: https://uni-goettingen.zoom.us/j/93759369247?pwd=UHg3QmV0RmdtRGZKSStqOE5tYjRWQT09 \nMeeting ID: 937 5936 9247 \nPasscode: 046273 \nFor more information: https://yingmingtheater.com/seminar-series-no-4/
URL:https://www.aki-goettingen.de/en/activity/contemporary-theater-performance-seminar-series-no-4/
LOCATION:Online Portal Zoom
CATEGORIES:Kultur-Veranstaltungen
ORGANIZER;CN="Akademisches Konfuzius-Institut G%C3%B6ttingen":MAILTO:chaf@aki-goettingen.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20210508T130000
DTEND;TZID=Europe/Berlin:20210508T160000
DTSTAMP:20261010T113930
CREATED:20210429T115331Z
LAST-MODIFIED:20210429T115411Z
UID:31057-1620478800-1620489600@www.aki-goettingen.de
SUMMARY:Online script reading - Reading and Watching Shakespeare - Play: Hamlet\, Written by William Shakespeare
DESCRIPTION:May 8th\, CET 13:00-16:00\, reading the script (obligatory) \nMay 15th\, watching Hamlet\, a production by British National Theater (optional) \nMay 22nd\, watching Princess Hamlet\, a production by Theater Rampe (optional) \nMay 28th\, watching Hamlet\, a production by the Maxim Gorki Theatre (optional) \nMay 29th\, CET 13:00-16:00\, presentation and discussion (obligatory) \nFull Registrants. The Event is not open to the general public. \nContact: yingming.theater@gmail.com \nPictures on the announcement from left to right: Princess Hamlet © the Rampe Theater\, Hamlet © the Bochum Theater\, Hamlet © the Maxim Gorki Theater \n 
URL:https://www.aki-goettingen.de/en/activity/online-script-reading-reading-and-watching-shakespeare-play-hamlet-written-by-william-shakespeare/
LOCATION:Online Portal Zoom
CATEGORIES:Kultur-Veranstaltungen
ORGANIZER;CN="Akademisches Konfuzius-Institut G%C3%B6ttingen":MAILTO:chaf@aki-goettingen.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20210529T100000
DTEND;TZID=Europe/Berlin:20210529T112000
DTSTAMP:20261010T113930
CREATED:20210525T123559Z
LAST-MODIFIED:20210525T123627Z
UID:31085-1622282400-1622287200@www.aki-goettingen.de
SUMMARY:Online-Konzert zum 80. Jubiläum der BFSU
DESCRIPTION:值此北京外国语大学（以下简称北外）建校八十周年，北京外国语大学孔子学院工作处（以下简称孔院处）建设十五周年之际，孔院处计划联合北外承办海外孔子学院（以下简称孔子学院）开展一场超越时空界限的线上跨国音乐会-音悦你我，为北外师生及孔子学院学员和当地民众带来一场视听盛宴，以增进中外文化的对话。 \n主办：北京外国语大学孔子学院工作处 \n协办：北京外国语大学海外孔子学院 \n时间：2021年5月29日 德国时间10:00-11:20 \n平台：Zoom ID: 65535636651\, 密码: 210529 \nAnlässlich des 80. Jubiläums der Fremdsprachenuniversität Beijing（BFSU) und des 15. Jubiläums der Konfuzius-Abteilung der BFSU lädt diese Sie herzlich zum Online-Konzert ein: „Music To Our Ears -2021 BFSU International Online Concert“. \nOnline: Zoom ID: 65535636651\, Passwort: 210529
URL:https://www.aki-goettingen.de/en/activity/online-konzert-zum-80-jubilaeum-der-bfsu/
LOCATION:Online Portal Zoom
CATEGORIES:Kultur-Veranstaltungen
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20210508T130000
DTEND;TZID=Europe/Berlin:20210508T160000
DTSTAMP:20261010T113930
CREATED:20210429T115331Z
LAST-MODIFIED:20210429T115411Z
UID:31057-1620478800-1620489600@www.aki-goettingen.de
SUMMARY:Online script reading - Reading and Watching Shakespeare - Play: Hamlet\, Written by William Shakespeare
DESCRIPTION:May 8th\, CET 13:00-16:00\, reading the script (obligatory) \nMay 15th\, watching Hamlet\, a production by British National Theater (optional) \nMay 22nd\, watching Princess Hamlet\, a production by Theater Rampe (optional) \nMay 28th\, watching Hamlet\, a production by the Maxim Gorki Theatre (optional) \nMay 29th\, CET 13:00-16:00\, presentation and discussion (obligatory) \nFull Registrants. The Event is not open to the general public. \nContact: yingming.theater@gmail.com \nPictures on the announcement from left to right: Princess Hamlet © the Rampe Theater\, Hamlet © the Bochum Theater\, Hamlet © the Maxim Gorki Theater \n 
URL:https://www.aki-goettingen.de/en/activity/online-script-reading-reading-and-watching-shakespeare-play-hamlet-written-by-william-shakespeare/
LOCATION:Online Portal Zoom
CATEGORIES:Kultur-Veranstaltungen
ORGANIZER;CN="Akademisches Konfuzius-Institut G%C3%B6ttingen":MAILTO:chaf@aki-goettingen.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20210501T130000
DTEND;TZID=Europe/Berlin:20210501T160000
DTSTAMP:20261010T113930
CREATED:20210429T113444Z
LAST-MODIFIED:20210429T120530Z
UID:31046-1619874000-1619884800@www.aki-goettingen.de
SUMMARY:Online scipt reading - Play: Saving Face\, written by Lao Shee (Chinese: 老舍)
DESCRIPTION:Zoom Meeting https://uni-goettingen.zoom.us/j/94282596030 \nID  942 8259 6030 \nContact: yingming.theater@gmail.com \nYing Ming Theater \n  \n 
URL:https://www.aki-goettingen.de/en/activity/online-scipt-reading-play-saving-face-written-by-lao-shee/
LOCATION:Online Portal Zoom
CATEGORIES:Kultur-Veranstaltungen
ORGANIZER;CN="Akademisches Konfuzius-Institut G%C3%B6ttingen":MAILTO:chaf@aki-goettingen.de
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20210407T130000
DTEND;TZID=Europe/Berlin:20210407T143000
DTSTAMP:20261010T113930
CREATED:20210303T094323Z
LAST-MODIFIED:20210303T095151Z
UID:30944-1617800400-1617805800@www.aki-goettingen.de
SUMMARY:魔力好声音 ——中文语音与表达训练工作坊  - Magic Voice Workshop  —— Pronunciation Modeling and Speech Training of Chinese
DESCRIPTION:介绍： \n您是否对于自己的中文发音存有疑虑？您是否想掌握更准确的发音技巧？您是否留意过自己的声音，并希望它的色彩更丰富？人的声音不同，它展现个人独有的风格与气质。交流首要考虑的是如何达到沟通的目的，那么如何发挥声音特质促进与他人之间的互动？欢迎加入叶琪女士带领的工作坊——“声音的魔力”，学习塑造声音形象，练习说好普通话，改善您的中文表达。 \n \n简历： \n叶琪，国家一级播音员，资深传媒人，浙江传媒学院影视配音班客座教授，配音导演及演员。毕业于浙江传媒学院播音主持专业，香港大学传媒管理硕士。创立青蛙戏剧并担任剧团艺术总监，现为独立戏剧教育者。多次担任中国国际动漫节声优大赛决赛评委，省级青少年语言类大赛评委。 \n安排： \n4月7日：如何打造质感好声音？学习改善音色，制作您个人的声音名片。 \n4月14日：如何提升声音的魅力？掌握语言表达技巧，让沟通更加有效。 \n4月21日：如何成为声音魔法师？表演初体验，让您的声音72变。 \n报名：填写并提交声音的魔力工作坊报名表。 \n截止：4月2日 \n联系：敖玉敏、倪黎华 \n平台：Zoom 会议 \n  \nIntroduction: \nDo you have any doubts about your Chinese pronunciation? Do you want to learn a more accurate method to pronounce Chinese? Have you ever paid attention to your own voice\, and do you hope to get a rich voice? No two voices are ever exactly alike. Your voice shows your style and temperament. In communication\, you first consider how to achieve the expected purpose\, and you hope that your voice characteristics can optimize the interaction. Welcome to join the “Magic Voice” workshop led by Ms. Ye Qi\, to develop your voice\, speak Chinese well\, and enrich your expression. \nBio: \nYe Qi\,  Class-I anchor\, senior media professional\, guest professor at Zhejiang University of Media and Communications (ZUMC)\, voice director and dubbing actor. She graduated from ZUMC with a BA degree in Broadcasting and Hosting and a MA certificate in Communication Management at HongKong University. She has founded the Frog Theater Group and works as its artist director. She is currently an independent theater educator. She is a jury member of the Character Voice Competition of China international cartoon and animation festival. She also sits on juries of  different provincial youth and children competitions for public speaking. \nSchedule: \n4.07: How to get a quality voice? Improve your vocal tone and develop it into unique brand. \n4.14: How to enhance the charmof voice? Learn language skills to make communication effective. \n4.21: How to be magic with voice?Do performances and create 72 distinctly different voices. \nRegistration: Fill in and submit the Magic Voice Workshop Registration Form. \nDeadline: April 2nd \nContacts: Yumin Ao\, Lihua Ni \nPlatform: Zoom Meeting \n  \n  \n 
URL:https://www.aki-goettingen.de/en/activity/magic-voice-workshop/
LOCATION:Online Portal Zoom
CATEGORIES:Kultur-Veranstaltungen
ORGANIZER;CN="Akademisches Konfuzius-Institut G%C3%B6ttingen":MAILTO:chaf@aki-goettingen.de
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